So I’m sitting here watching the Academy Awards and while I’d hoped for and even predicted a few of the upsets that have occurred thus far (Tilda Swinton & Marion Cotillard), I just had to jump online and make a quick comment on this last Oscar for Editing. It went to Christopher Rouse for The Bourne Ultimatum, and while I’m happy for the guy, I’m more than a little disappointed with the Academy. See, the award is supposed to be for BEST editing in a feature film, not the MOST editing.
Keep in mind that outside of “Best Picture,” only folks within a given field of expertise are allowed to vote on the winner in their category — in other words, a bunch of EDITORS voted for Mr. Rouse’s work on Ultimatum. I only bring it up because my biggest issue with the film was its overzealous, MTV-style cutting — editing that actually confused the story. That it’s being honored with an Academy Award has me absolutely stumped. That I care enough to post about it tells me that I should spend more time WRITING movies and less time writing ABOUT them…
But since I’m at it, I might as well mention that this evening’s Oscar telecast has me convinced that Cameron Diaz and Ellen Barkin are in fact, the same person.




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