So there’s this guy I know — not very well actually, he’s really more of an acquaintence — but I’ve run into him at a few events here and there, and managed somehow to wind up on his mailing list. Now if I had my life to live over, I’d probably do everything in my power to avoid ending up on ANYONE’s list, and while my life would surely be less cluttered, I would miss out on interesting theories like the one presented today in his weekly message to masses.
What follows is an idea as to what is truly at stake as the WGA continues to strike, and while the real truth may be forever obscured by points-of-view and political flag-waving, it’s (at the very least) a good enough reason to start thinking for YOURSELF about how and why things get done in this ole world. Again, this was delivered via email so I can’t simply provide a link. Therefore I’ve reproduced the (relatively short) article in its entirety, and give full credit to Mark Edward Lewis as its author.
Enjoy…?
What they don’t want to tell you.
About WHY they don’t want to pay the writers.
I was recently shooting for the hit show “Pinks” on Speed Channel last month. One of the great things about cable shows is that the Executive Producers like to come hang out and give their two-bits. Fortunately, this EP is a wonderful human being and was a great contribution to the production days.
Not surprisingly, over lunch we got into the WGA strike and what it means and why it’s happening. He said some things that made the hair stand up on my head (and I’m bald). It was hard to believe, but the more people I asked about it, the more it made sense. After speaking with some industry insiders and corporate Internet folks, what I’m about to tell you may just seem like a conspiracy theory, but it has some compelling truth ringiness to it. Try it on and see what you think. As always I’m open to your feedback and input, because believe me, I want to believe something else.
Silly Songs With Michael
Before I launch into talking about why the studios et al are not paying the writer’s their fair share, I want to let you in on a little conversation that a good friend of mine who is an executive at a major television studio (we’ll call him Tom) had with Michael Eisner over lunch in November. Just a little dialogue for those of you who haven’t seen dialogue on a computer screen in a few months due to the strike.
Imagine, Mr. Eisner and Tom casually talking at Studio Cafe…
Tom: “So, Michael, what’s all this with the writers?”
ME: “Oh! Those writer’s are insane. The only people who are making money on the Internet are Apple and Google.”
Tom: “Well, if that’s so, why not just give the stupid writers 10% of nothing, Michael?”
—end of conversation.
Take this as a precursor to what I’m about to tell you. (Read the Rest…)