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Josh Greene is a multi-talented genius and humanitarian who enjoys writing his own bios. After a tour of duty in the trenches of children's theater, his professional career was launched with an appearance on FRASIER, which catapulted him into a guesthouse in the Valley. Shortly thereafter he did some time in the Broadway musical RENT, then returned home to pursue lifelong goals like fame, fortune, and the elimination of world hunger. Josh was the star of Discovery Channel’s RALLY ROUND THE HOUSE, and recently wrapped his 50th episode of TLC’s 10 YEARS YOUNGER. Providing the voice of Jimmy Lizard in the Weinstein Company’s animated hit HOODWINKED, he also penned the song RUNAWAY which was included on the film's award-winning soundtrack. In 2005 Josh wrote/directed/produced THE COMMISSION, a film which walked away with nine nominations and three wins, including "Best Comedy" and "Best Screenplay" at the 168 Hour Film Festival in L.A. Last year he starred with Tenacious D's Kyle Gass in the smash hit musical ROCK OF AGES, and is currently in development on three feature films, a television pilot, and his first solo album. It's looking like world hunger may just have to wait -- Or you could visit ONE.org and help stamp it out yourself!

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Making Movies

By Sidney Lumet

Tags: Film, Filmmakers, Filmmaking, Hollywood, Lumet, Movies, Non-Fiction

Started reading: May 24, 2007
Finished reading: September 19, 2007
Rating: 6

Review

The rating might not seem to reflect this, but I really enjoyed “Making Movies,” by one of our most prolific directors, Sidney Lumet. Chapter by chapter, he takes you through the process of making movies; from how he decides on a project, to dealing with actors, to the ridiculous conversations with Studio-types about how to sell the “art” he’s spent eighteen months creating.

While Lumet’s step-by-step process is both enlightening and valuable (to me, as a filmmaker), what makes this book so enjoyable are the anecdotes sprinkled generously throughout. Difficult actors, brilliant editors, crazy suits and drama both in front of and behind the camera. He’s been doing this for half a century, and has worked with legends. Good stuff!

The only thing keeping this book from really shining is a feeling that it’s all a little dated. Published in 1996, it IS a little long in the tooth when you consider all the technological change that’s occurred in the last decade. The Business has changed dramatically, and the actual filmmaking process has evolved as well. This is most apparent in the later chapters as Lumet describes the various elements of Post Production.

The old man’s still making movies though, so perhaps a second edition is in the works. I’d be interested to see how his process has (or hasn’t) changed since this book came out, and THAT tome would likely rate an 8 or 9 for me. All things considered, “Making Movies” is a fine read on the nuts and bolt of filmmaking, with some wonderful stories thrown in for good measure. I learned quite a bit and was duly entertained in the process.

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