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WHO IS THIS GUY?

Josh Greene is a multi-talented genius and humanitarian who enjoys writing his own bios. After a tour of duty in the trenches of children's theater, his professional career was launched with an appearance on FRASIER, which catapulted him into a guesthouse in the Valley. Shortly thereafter he did some time in the Broadway musical RENT, then returned home to pursue lifelong goals like fame, fortune, and the elimination of world hunger. Josh was the star of Discovery Channel’s RALLY ROUND THE HOUSE, and recently wrapped his 50th episode of TLC’s 10 YEARS YOUNGER. Providing the voice of Jimmy Lizard in the Weinstein Company’s animated hit HOODWINKED, he also penned the song RUNAWAY which was included on the film's award-winning soundtrack. In 2005 Josh wrote/directed/produced THE COMMISSION, a film which walked away with nine nominations and three wins, including "Best Comedy" and "Best Screenplay" at the 168 Hour Film Festival in L.A. Last year he starred with Tenacious D's Kyle Gass in the smash hit musical ROCK OF AGES, and is currently in development on three feature films, a television pilot, and his first solo album. It's looking like world hunger may just have to wait -- Or you could visit ONE.org and help stamp it out yourself!

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Water for Elephants

By Sara Gruen

Tags: Circus, Fiction, History

Started reading: December 30, 2007
Finished reading: January 3, 2008
Rating: 7

Review

I sped through this book in just a few days. In fact, I read about 90% of it on a plane ride home from my folks’ house. It reminded me a lot of “The Circus in Winter” which I read on another plane ride earlier this year (coming back from Egypt). Tonally the two are quite similar, and obviously the subject matter is very much the same. Where “Water for Elephants” differs is in its allegiance to one specific story. And it’s a good one.

Not really a page-turner in the classic sense, it more like… beckons to you. Amidst all the bustle and fuss of the Depression-era bigtop, a very simple coming-of-age story just kind of happens. Gruen’s flashback device works effectively to create a sense of character and humanity, but the bread crumbs she drops along the way within this device never really materialize into anything. It’s not a huge deal, as the story is what it is, but I found myself wondering what might’ve been if she’d paid more attention to her own foreshadowing.

The one thing I’m left with after finishing this lovely little read is just how well the author has painted her picture. As I fell into this world, its colors really did seem worn and faded — in my mind’s eye, that is. I’m not exactly sure how a writer pulls that off, or if it was even intentional, but it suits the story to perfection (or perhaps vice versa). I’d recommend “Water for Elephants” to anyone who’s a little nostalgic for the way things were — especially if you’re a circus lover.

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